This project presents an AI-generated experimental film adapting Walter Benjamin's 1931 essay "The Destructive Character," exploring its proto-accelerationist themes through the lens of contemporary technology. Utilizing text-to-image, text-to-video, and text-to-audio AI models, the 30-minute film transforms Benjamin's philosophical fragments into a provocative visual narrative that blends essay film, speculative documentary, and avant-garde cinema. Central to the work is Benjamin's notion of the destructive character who "sees ways everywhere." The film draws parallels between this destructive character, the relentless force of Capital, and the transformative power of AI, each embodying an entity that perceives possibilities where others see obstacles. By juxtaposing Benjamin's early 20th-century critique of progress with AI-generated imagery of technological upheaval, the film invites viewers to reconsider the relationship between destruction, creation, and historical change in our accelerating world. It explores how Capital, much like the destructive character, has found its ultimate expression in AI – a force that, like Benjamin's metaphorical "train of history without a brake," propels us forward with creative and destructive potential. This AI-generated artifact at the intersection of philosophy, technology, and art offers a unique perspective on Benjamin's enduring relevance and the philosophical implications of our AI-driven reality.